I expect many of you have come to the WCFC looking for a quick fix over the past week, miserable to learn that I haven't been here myself. I've been spoiling you little junkies, haven't I? Well, I apologize if my little hiatus has caused anyone grief. I just haven't had much to say.
Today is really no different, but because I want you to keep coming back, I know I must post more frequently. So here are the goings on in my home:
1. Looking for a job still. I know you all know how time consuming it is to search for a suitable position and then write a job letter introducing your qualifications and arguing why you should be called in for an interview. Sometimes, my whole morning is shot just composing the cover letter. Although I've got a number of other things to do, I find myself loath to sit at the computer any longer. As a result, the blog suffers. When I do return to the old MacBook, I check my email compulsively hoping that someone will be writing to say, "Wow, DH, you are everything we've ever wanted in a candidate and more! Will you take our humble job, please?" So far, all I've received is a nice note informing me that while the Forestry Library appreciates my interest, they have all the volunteers they need right now. You read that right, they don't even want me to volunteer. Lame.

It is not all negative; right now I'm on the hook for a possible editing job at some science writing start-up. As part of the interview process, they sent me an article to edit to prove my mettle. The article, written by three Italians, was about solar energy collection optimization techniques. One, until I read this article, I knew zilch about this topic. Two, Italians may speak English with the most delightful of accents, but they are not all exceptionally good at writing it. All told, it took me 6 hours of reading and writing to produce my edits. If I don't get this job, I may need to bill them for free-lance hours, because that article is now absolutely read for the Journal of Solar Energy Optimization Techniques. I know I'm good for the job, but we'll just have to see.
2. I bought Mathilda a flee comb and she won't let me alone unless I brush her for at least 10 minutes three times a day. This comb is better than catnip. When I comb her, she gets all squirmy, purrs really loudly, and sometimes drools. She also gets a tad aggressive in her amorous state and has taken to biting and scratching to show her enthusiasm.
I recommend this comb mostly because it is collecting A LOT of fur before it sheds all over my clothes and furniture (not to mention the air vent); however, I really think you should be warned that it will drive your kitty k-razy! Also, I have nabbed a few flees with it, which is worth the cost alone (it is not expensive).
3. I've been knitting a sock. No, not socks. A sock. Just one. It is time consuming, especially when I realize that I have been knitting a section all wrong and 6 inches in conclude I have to rip it out. It's done, and it is nice, but I am not looking forward to knitting the mate. I have this grand vision of knitting everyone in my immediate family a pair of socks for Christmas. Of course, none of them know they want socks, but they'll be glad when they get them. One sock down, 11 to go! Probably I won't get everyone's done in time, and my brothers-in-law will get shafted, but I'm also confident that they will interpret this loss as a close-call, gift-wise. Oh well. They can just eat their hearts out when they see their wives prancing about in homemade socks.
4. I've been reading about writing. Of the books I've read so far, the one that I am loving is Margaret Atwood's
Negotiating with the Dead. Her writing seems effortless, and I'm smitten with her wit and wisdom. Honestly, there are few people I want to know more than Margaret Atwood, and I relish reading anything she writes. This book is especially good, because, in its effort to get to the bottom of what it means to be a writer, she draws on an amazing set of references, some I recognize, some I don't. The book is comprised of essays originally produced for a listening audience during a seminar at Cambridge University, and I love the way she speaks as a North American. She takes nothing for granted, and comes across as so humble and charming that I earnestly wish I could travel back in time and space and attend these lectures.
I'm also reading a far less endearing, but equally impressive book by James Wood called
How Fiction Works. Whereas Atwood mentions Flaubert to illustrate a point, Wood dedicates a whole chapter to him to show you that you've not done your homework. Wood is a tad pedantic and comes across as a stiff and tweedy literary snob, but he is brilliant in his analysis. It is a book that, because of its ivied certainty, makes you feel obliged to take notes as if you were attending the sort of lecture you'll brag about having been at decades from now.
Finally--and now you know how I go about reading--I'm also working through Natalie Goldberg's
Writing Down the Bones. This book is the practical complement to Wood's heady analysis of how fiction works. Goldberg, a poet, writes about how to write. At times slightly new-agey, this book is valuable because it reads like a workshop for writers, offering tools and techniques, as well as valuable ideas, for practicing the art of writing. Although in literary terms, hers is the easiest to read of the three books mentioned, it is taking me the longest to get through, because it has so much to offer. I've enjoyed reading a chapter and then sitting down to practice the notion as described. Because of Goldberg's book, I am writing to write rather than to avoid perishing in the academic jungle, and I'm finding it very liberating. No novel ideas yet, just a notebook full of words that are proof of the mental calisthenics Goldberg recommends one does every day. If you want to write but don't think you know how, read this book.
That is all the news that's good gnus. Hope you are well.